Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Girolamo Parmigianino
The Madonna with the Long Neck

ID: 01123

Girolamo Parmigianino The Madonna with the Long Neck
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Girolamo Parmigianino The Madonna with the Long Neck


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Girolamo Parmigianino

1503-1540 Italian Girolamo Parmigianino Galleries   Related Paintings of Girolamo Parmigianino :. | Portrait of Jennie Churchill | montefel tro altarpiece | Les Grands Boulevards Le Theatre Des Varietes | Portrait of Miss Ella Carmichael | Woman by Lamplight |
Related Artists:
Ernest Hebert
1817-1908 French Ernest Hebert Gallery He was born in Grenoble and died in La Tronche. His painting Mal aria was exhibited in the Salon of 1850-1851, and now hangs in the Musee d Orsay, Paris. Painted in a Romantic style, it depicts a family of Italian peasants escaping an epidemic by raft, a scene inspired by events Hebert had witnessed while in Italy. His student Paul Trouillebert was an important artist of the Barbizon School. The artist house is preserved in the Musee Hebert in the VIe arrondissement of Paris. There is another museum near Grenoble.
Jmw Turner
1775-1851 British landscape painter. The son of a barber, he entered the Royal Academy school in 1789. In 1802 he became a full academician and in 1807 was appointed professor of perspective. His early work was concerned with accurate depictions of places, but he soon learned from Richard Wilson to take a more poetic and imaginative approach. The Shipwreck (1805) shows his new emphasis on luminosity, atmosphere, and Romantic, dramatic subjects. After a trip to Italy in 1819, his colour became purer and more prismatic, with a general heightening of key. In later paintings, such as Sunrise, with a Boat Between Headlands (1845), architectural and natural details are sacrificed to effects of colour and light, with only the barest indication of mass. His compositions became more fluid, suggesting movement and space. In breaking down conventional formulas of representation, he anticipated French Impressionism. His immense reputation in the 19th century was due largely to John Ruskin's enthusiasm for his early works
NEEFFS, Pieter the Elder
(c. 1578-c. 1656),






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